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Now Showing courtyard TV June/July 2025

single channel HD video 45:00

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still image from Love Notes - projection work Gertrude Street Projection Festival 2022

single channel HD video 03:00

Gifts As Beautiful As Horses - projection work Gertrude Street Projection Festival 2019

single channel HD Video 02:59

Jesus Saves! - installation

fusball table, plaster statues, paint. 550x800x750cm

Re-verse Public Art Installation

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In The Studio

paint tubes, aluminium. 9x15x5cm

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DIRT ELEGY

 

 

This work is about remnants of the past, loss and endings.

 

Objects that usually define and anchor us quickly lose their comfort and intimacy when they are removed from their ordinary context. Their substance and their power are rendered meaningless. The material stuff with which we surround ourselves becomes worthless, and the objects become ghosts of themselves.

 

Dirt Elegy not only devalues the separate objects but also unifies and transforms them into a meaningless assemblage that further undermines their worth as functional or valuable things. They become a worthless souvenir, a shadow pointing towards the past.

FRAGMENT OF RELIEF

 (Circa 300 BC)

 

This work, colloquially titled Sweet Relief, is all that remains of a temple relief uncovered in the northern part of the Pisolino Valley in Sogno, Italy.

 

The relief, which has been partially restored, is only a fragment of a much larger decorative architectural composition.

 

It appears to pay tribute to the divine state of sleeping, such as was venerated by the empire at this time. Its spiritual significance is otherwise unknown.

 

from SMALL RUMOURS

SANCTUS TELEVISIONUM

Running with my Dog     (finalist Dobell Drawing Prize 2025)       

 

I made this drawing by running. I ran the outline of the image, recording with a drone camera about 700m above. I then used software to track my path onto the video footage, resulting in the image you see.

It represents a literal embodiment of the act of drawing. I didn't use GPS or anything other than my innate sense of space. I planned the image in my mind before I ran it, but I depended entirely on my own sense of direction to express the picture I wanted to make.

This image is ephemeral, the only trace of it is the digital record that I have created. With this drawing practice I am trying to explore a feeling of complete uncertainty about the outcome of my work, to consider my relationship with the ground I move on and the space in which I move, and create something that is simply expressed and lacking in artifice.

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